Is There An Age Limit In Hip Hop?

It’s been said time and time before that “hip hop is a young mans game”. Most of the consumers of hip hop music are the 21 and under age group, most focus groups polled about fashion and whats trendy and current are from the 25 and under age group. Actually the youthful demographic is responsible for more than they recognize and yet they could careless about it, or so it seems. One thing is for sure though, they definitely make their voices heard when it comes to who they want to see in the hip hop world.

50 Cent said if “If I aint rich by 26, I’ll be dead or in jail”. He brought those words to life. As cryptic as it may be though the mortality rate for rappers and black men in America are astonishingly similar. Biggie and Pac both died before 25. Most of our favourite rappers released their best work in their mid to early twenties, in some cases the late twenties but if 40 is the new 20, what the hell is 20 I ask you?

In my personal opinion, 20 is the age where the world starts to make sense and you become more in tune with who you are as a person. Everything preceding was a trial run moreless.

Hip hop has always represented rebellion, the voice for the voiceless, an outlet for the youth of America’s inner city. Hip hop’s voice when tried to be silenced by the masses infiltrated and resonated through out the halls of the Guggenheim, Carnegie, Heinz and so many other forums traditionally reserved for mature patrons.

So why is it that an art form started by what are now are seniors, intended for the youth, is being asked to grow up? Maturation in hip hop has been called for now for quite a few years and yet everyone’s speculation on whether it has or not varies with the wind. Oprah put hip hop on blast, capitol hill and slew of lazy ass parents as well. I guess that’s what happens when you don’t take responsibility for your children and you expect us to. I digress.

Let me get to my point. Is there an age where it’s too old to start rapping? I had a conversation with James Armstead Brown about this and we both agreed, no 30 year old rapper will ever break into the industry to wide acclaim with out a serious gimmick/marketing plan. Not to say a rapper can’t achieve some notable success after 30 but it won’t happen on the global icon stage.

Is there an age where one becomes too old? If so, what is the age? I know I gave myself to 26 to get both feet through the door before I hang it up. I remember at one time, Roscoe, EMS (Kid A) and Wiz Khalifa were the youngest noticeable guys on the PGH hip hop scene. I just recently hit 25 (thanks for the birthday love on 9/16) and I can honestly say I’m panicking a bit inside, especially with the rise of success 19 year old Mac Miller has acquired. I like Mac, I think he’s gotta good lane, gotta good image and all that but I can’t relate to all of his raps. I am not fresh out of high school (class of 04 stand up!!!) and I can’t relate to partying all night and sleeping all day just to rinse and repeat. Nigga, I got obligations. But therein which lies a paradox. I’m the youngest one out of all of my friends who rap, save a handful. My age is looked at as a benefit to them, where as the youth on the rise fill me into the bitter old head category. Perplexing init?

For those that don’t know, I’m part of a group called Good Company. Alex (Fundamental) and I are only a year and some months apart but we have almost no common ground with music. We have contrasting views on where hip hop should go, why it should sound like how we feel but we still make it work. At first, Alex thought my views were of those bitter old head dudes stuck in the cipher. I recall vividly Johnny Juliano accusing me of the same. I laughed from a hardy place. But I guess it’s deserved, I don’t fuck with a lot of new music cause I can’t relate to it. I guess that’s what it’s about at the end of the day, isn’t it? Who can relate to what and where.

Two of the most commonly mentioned names in rap today are Drake and Wiz Khalifa. Both are 80s babies but they were conceived at the tail end of the 80s, damn near 90s babies. Look at the pop charts across the board then do the knowledge on each artists age. One or two may surprise you but you can pretty much bet they all belong to the 25 and younger crowd. On the flip, there are quite a few artists who didn’t get their just due until they hit the mid to late twenties. Eminem, Kanye, Saigon, GZA, there are others as well. I remember voicing my age fears to an A&R at Universal and he told me plain and simple, “your favourite rappers said the same thing, this aint the 90s, shit takes longer.” He also went on to assure me that much like car insurance, A&Rs look at MCs in their mid twenties as more reliable, not as susceptible to the rookie mistakes and fuck ups as the yutes are, basically safer investments.

Pittsburgh has quite a few members of its scene belonging to the 30+ club. I’m sure every city does. The Game said “You’re 35 and you’re still rapping? Ughhhhhh!”. I don’t necessarily share the same sentiments but it definitely causes me to raise an eyebrow every time I come across an aspiring MC who is past 28. At some point, you gotta swallow your pride and call it a day. No one wants to be that old nigga in the club trying so desperately to chase the same women your son’s friends are going after. A lot of MCs on the scene here are the same age as Nas and still trying to break through the game. Do I find something wrong with that? Not really, but I think at sooner or later reality has to set in and you gotta asses your stance and really think about what your goals are.

In an extension of of the conversation Armstead and I had, he brought up a really good point. He always viewed hip hop as “folk music”. Something that should be related to by the class it came from. He said “Maybe that’s where hip hop is now, you know? Maybe you go to work during the day and do your hip hop thing at night.” I really thought about that. It makes a world of sense. How many of you who actively pursue a career as a rapper 9 to 5? That’s shit grown folks relate to. I know highschool/college aged kids are moreless concerned with the party scene over the Democratic/Republican party’s views on shit that pertains to us.

If I were a 16 year old kid on Tuesday in Best Buy or HMV, I seriously doubt I’d buy the album of a 35 year old “break out” artist. I’d be looking for that Wiz Khalifa, Mac Miller, Drake shit that I can bump and relate to because its tangible.

I guess I’ll close with this. The early bird gets the worm, but the second mouse gets the cheese. I’m lactose intolerant but I loves some cheese.


Ask The Ayatollah – Were the Tears Real?

CBFan Asked:

Do you think Chris Brown’s tears were real at the BET awards?

I dunno, I didn’t watch it live, but I seen that shit on the news and more importantly, on Twitter.  I think he was Carl Thomas officially.  I thought it was good for his public image, I’m sure his PR team did too.  Not sure if that directly addresses your question so lemme say this.

He cried like a buttermilk bitch.

Beat Supreme asked:

Do I think it’s wrong to use “ninja” as a substitute “nigga”?

Yeh.  But I really can’t do anything about someone who says the word “ninja”.  I know the intent and I’ll definitely call em on it, but my hands are pretty tied unless they wanna make an issue of it.  I think everyone knows by now that I have a pretty liberal usage of the word “nigga” in my lexicon and diction but that doesn’t mean some one who isn’t one can say it to me.  Real rap.

P-Jammas asked:

Do you think Drake sold out his style for Baby and Wayne?

“fortunately I am at a elevated level/ I’m celebrated at home and I’m high above it all/ my apologies to my fans that be super conscious/ just wait till I get my money right, I am going to ball/”
– Drake “Share”.

I think Drake definitely went above and beyond to “fit in”, to make sure his presence was cemented and he created his own form of job security.  I mean real rap, he got all of his masters if I’m correct?  He’s still dropping extremely honest introspective but he’s staying true to himself.  He’s had this “popular” style of rapping since “City Is Mine” (2006).  If you’re a real follower and supporter of Drake though, you know that aint nothing new.  He’s still the hybrid mainstream version of  Phonte of Little Brother & Elzhi of Slum Village.  He does more of the southern style shit now, yeh that’s a might bit of a stretch but credit his Memphis roots for that.  So do I think he sold out?  When you say things like “I came up in the underground though, so I’ma spend another 10 thousand for Dilla”, it’s really a judgment call.

DT asked:

Where do you see hip hop in 5 years?

Well … how much time you got?  I think hip hop is really gonna take the road that big tobacco took.  It’s so over-saturated right now with a lot of carcinogenics in the form of fly by night acts and gimmicks that the people will finally stand up.  People are taking to the streets for a lot less and I said before in the vain of Mos Def, hip hop is a reflection of the people.  So ask how the people are and where will our people be in five years?  Barring some huge natural disaster or some other global calamity, it’ll be doing just as fine as ever.

Son Shine asked:

As a DJ I feel there are too many rappers and not enough emcees, as an emcee yourself, what is your advice for rappers who wanna take it to the next level?

I mean, I have a buzz, but it’s not substantial enough to accurately address this question, but I  guess my advice is to be intelligent.  Not just in your rhymes, but about your business game.  Don’t be the next nigga on Raping You Records.  I think now more than ever you gotta be ready to cover as much ground as possible in as little as possible.  The dynamics of the game are different then they were a few years ago.  Volume is so important, so if you can’t committ to the high level of supply and demand don’t try it.  Even your mans down the block that raps is your competition, don’t forget that.  You gotta figure out how to make his fans your fans.

Do remember, ask what you wish!  Ask@RepPghHipHop.com

Ask The Ayatollah – Kim or Nicki?

You asked, I answered.  Here we go.  weeeeeeeeeeeeee


My Man 100 Grand asked:


How do you feel about Angelina Jolie playing Cleopatra?

Disgusted.  This is just another attempt at erasing African history from the books.  Last time I checked, Egypt was in Africa!!  Angelina Jolie hasn’t been attractive in a good decade on top of that.  Real rap, if you’re Arab stop fronting on your African blood.  The last time I seen accurately portrayed Egyptians was the Mike Jackson “Remember The Time” video.  King Tut and Cleo looked more like Eddie and Iman than Brad and Angelina.  You really think the Greeks were speaking with British accents 7 thousand years ago?  Get the fuck outta here.    This role was Halle Berry’s last I heard then they gave it to Angie … sigh, smdh.

It will be the highest grossing film of that year though, I’d wager all my money on that.  Doesn’t mean I’ma watch that garbage.   So from a financial point of view, it totally makes sense.  I don’t co-sign it.
My fellow light skinned asked:

Would you ever stop emceeing and do something else within in Hip Hop such as producing, graphic designing, label, etc?

Whats it look like I’m doing now???  Would I stop MCing though?  I doubt it.  I don’t have ambitions of being that 35 year old guy talking about, “back when my hip hop bone was still working …” but I plan to stay employed via Hip Hop till I can’t any more.  I love words and writing, so hip hop journalism I’ll stay active in, I’m actually getting back into producing, if y’all check out Live From The 72Four: I produced “Lyrical Exercise” and “Everlasting Love”.  It just requires a patience I don’t have currently.

Black Hercules asked:

Is Lil Kim right for demanding homage from Nicki Minaj?

Absolutely not.  If MC Lyte, Queen La and Roxanne Shaunte aren’t why does Kim deserve special treatment?  Let’s keep it funky.  Kim didn’t even write her own raps.  Maybe some things here and there, but she always had BIG or some one else penning them shits down.  But real rap?  Nicki is proving to be a commercial flop with two tanking singles.  Perhaps Kim should just have a coke and a smile and shut the fuck up and watch things take their own course.



The Selectah asked:

Do you feel hip-hop has lost it’s culture n some aspects due to the mainstream influence of it?

Nah.  The culture is thriving now more than ever.  When you look at the culture, you gotta look at what it’s come to be.  The culture is still changing the country and world!  I think people look over the foundation and are scared of knowledge but that can be changed.  Hip hop IS black culture.  Hip hop reflects the mindstate of it’s people.   Look at the climate of popular hip hop, see whats on the TV now.  Now go outside and watch people walk down the street, or go to a jam, you’re seeing the same thing everywhere, just by different artists.  Right now things are very manufactured but over all, the culture it’s self is in good shape.   There is a lot of bullshit, but there is an abundance of dope representation present.  To quote Mos Def “next time you ask yourself where is hip hop going, ask yourself, where am I going, how am I doing?”  Hip hop will get better with the people.


Ask The Ayatollah

Some Random asked:

Why don’t you battle any more?
Real rap? I’m above that shit. I don’t respect battle rappers. I’m too established for that and in my personal opinion, it’s a lose/lose situation for me. Niggas don’t get signed off battles no more. Grind Time, Scribble Jam, it’s so white washed – literally and it’s just comedians club any more. Make a song and learn to ride a beat, then maybe I’ll entertain a soundclash. But to quote myself? You don’t wanna sound clash me nothin.

The Ayatollah has spoken.

Big Man asked:
What do you think about Jigga being a Free Mason?

You know what, nuff mans have asked me the same question. I mean, in my personal opinion, that’s his business. He wants to boogie down with that clique, who am I to stop him? But really and truly, what do you expect from a man who calls himself “Hova”?

The Ayatollah has spoken.

The IT guy asked:
Do you feel people with a microphone in front of them should be held accountable for the things they say?

I do and don’t at the same time. Sometimes it’s not always as cut and dry. Yes our words do cut our cheques, moreless. But you can’t hold us responsible about speaking about some shit we been through. However, there is a point where you cross the line from art imitating life, to just promoting fuckery. At the end of the day, you do have an option to listen or not, but again, it’s not always that black and white.

The Ayatollah has spoken.

Maurice Stinkmeaner asked:
Jaxx, if you had the opportunity to hand pick and collab with any 5 artists in any genre of music for a project of yours, who would they be? and why?

Too many names to really narrow it down to 5. So I’ll give you who crossed my mind while writing this.

Corinne Bailey Rae
Dave Grohl (Foo Fighters/Nirvana)
The Roots
Melanie Fiona
Damian Marley

The Ayatollah has spoken.

Some Angry Underground Guy asked:
Janel Monae is stealing her whole swag off of James Brown. Do you feel it’s disrespectful to his legacy?

The question you should be asking is, isn’t it disrespectful that some one stole his body? Hell no I don’t find it disrespectful. You ever see Black Thought and The Roots do their James Brown set? Public Enemy paid him respect by sampling him just like so many other artists did. They just making sure the yutes don’t forget about The God Father of Soul. Word to Petey Green.

The Ayatollah has spoken.

Mister DJ asked:
How do you feel American hip-hop is progressing currently?

It’s coming along quite nicely I must say. Lemme go a bit more into depth though. I find myself listening to less and less “American” Hip hop. With the somewhat recent explosion of international hip hop taking foot with such artists as Boi-1da & Drake, Kardinal Offishal, K’Naan, Melanie Fiona, Iyaz, Rock City, Sway Dasafo, J.Sean, Tao Cruz and of course Rihanna, I’ma predict a huge shift in 2010. Hip hop is officially a full blown global culture so it was really and truly only a matter of time before other cultures started sharing their own versions with Americans. Hip hop popped in the UK and Canada the same time it got big in the states, don’t forget that. They’re scenes are just as polished as established, you just need a passport to fully access it.

The Ayatollah has spoken.

So far I’ve been getting a lot of love for “Ask The Ayatollah”. Thank you all.

Do remember, ask what you wish! Ask@RepPghHipHop.com

Ask the Ayatollah – The 5 Wackest Rappers

Once again its on!! Bring the questions to my blog, nigga/ I’ll answer em even if they wrong nigga!! ahahaha
Thicky thick girl asked:

Jaxx, what do you think about J-Hud dropping from a size 16 to a 6, be real with us!!!
Aiyo, real rap?  I was just in the store the other day and I seen that.  It’s a damn shame if you ask me.  She doesn’t look healthy.  It looks like she really caved and conformed to the Hollywood “standard” of beauty.  Look, I LOVE me a thick girl.  Aint nothing like it.  Y’all got that sticky bun, you know what I mean, shit so wet its gooey.  It’s like a big erotic bbq between those thighs.
I could totally get it if she was like … gonna die like Big Mamma or have to get an a limb amputated … but this aint the case.  Maybe that nigga from I Love New York being in WWE had something to do with it.  Either way, I aint with it.  Bring that sexy back, baby. The Ayatollah has spoken.
Lost Over Seas asked:

Who are the 5 wackest rappers out right now that the public is loving?


1. J.Cole <- Quite possibly the most boring rapper, ever. I mean, ever.
2. Gucci Mane
3. Young Money (minus Drake & Nicki)
4. Vado
5. Wocka Flocka Flame

The Ayatollah has spoken.
——————————————

Environmentally Minded Asked:

What’s your opinion on the Gulf of Mexico oil spill?

This is the end result of a lot of greedy white men who have been on the same shit since Manifest Destiny.  Their destiny is manifested in the errors they’re responsible for; ie, epic failure.

The Ayatollah has spoken.


Curious Kitten asked:

What do you think about Lindsay Lohan and all of her controversy?


Real rap?  Money doesn’t change you, it just makes you more of what you already are.  Brittney Spears is a prime example.  Rich trailer trash.  Li Lo is a product of an out of control fame hungry whore of a mother.  She laid the ground work early for Lindsay to follow in.  She’s no different than any of these other celebutants who receive no repercussions for their actions.  I personally wanna see that hoe do some time.  They locked up Lil Kim, T.I and Wayne, fuck it, lock that hoe up too.

The Ayatollah Has spoken.

Do remember!! Ask@RepPghHipHop.com – holla at me!! Ask what you want.

A-Jaxx

Twitter.com/AyatollahJaxx
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Ask the Ayatollah – What Came First, the Delivery or the Lyrics?

Check it out, in addition to “Aiyo, real rap?” I’m doing something extra. I wanna get in tune and be more personal with the readers of this illustrious website. So as I was watching Judge Mathis it dawned on me. Believe it or not, people ask me for opinions before I give em. As opinionated as I am, a good 60% of the shit I say is reactive. Anyway, here we go.

ALSN (Annoymous Light Skinned Nigga) asks:
Do you agree or disagree with interracial relationships between men and women?

I knew this would come about. Only those in them ask about them. Just recently (3-4 years) have I got next to the idea of Caucasian/African American relationships. It’s really not my place to judge, honestly. I know I love and perfer ethnic women. I gotta thing for the dark skinned sisters and the South East Asains (Bengali, Tamil, Sri Lankan etc). But you didn’t ask that. If there is a legit connection and you’re really feeling the person, hey you know, enjoy that companionship. The Ayatollah has spoken

Profitless Producer asks:
Why aren’t rappers willing to pay for beats any more?

Very good question, I get this quite often. Fact of the matter is, the game is flooded by producers now. You have to gain merit before you can command currency. Ironically you have to give enough away before some one pays for it. What do people in hip hop pay for? Names. There are thousands of dope MCs that would jump on a track for free, but that can’t guarantee you notoriety. Same with beatsmiths. It’s all about brand name. Same reason Oreo cookies are 5 dollars and Hyrdox are damn near free. Same cookie, different name. The Ayatollah has spoken.

The Nice One asked:
Whats more important the delivery or the actual lyrics? Or is both needed to really be great? Cause its starting to look like all you need is a crazy beat and a good hook and nothing else matters. What does the Ayatollah think?

To be great? You need the total package. To be fly by night and hot for the moment? Just follow the status quo. If you’re content with sounding like everyone else and totally ignoring virtuosity, that’s the way to go. Think of every GREAT song. Disregard the genre. You love the beat, the hook, the words, you can even do the background vocals on que. There is a reason only a few achieve that level of greatness because its rarefied air. At the end of the day substance will sell records and provide longevity. The Ayatollah has spoken.

So, you wanna know how I feel about something? Holla at me! Ask@RepPGHHipHop.com

Don’t be shy.

A-Jaxx

Twitter.com/AyatollahJaxx
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