Behind The Mic: Good Company

I caught up with RPHH’s own Ayatollah Jaxx and his Good Company counterpart Fundamental to discuss their latest album This Time Next Year. This release was highly anticipated after the success of last year’s Hello, Hip Hop and their first effort The Damn Good EP which was covered by hip hop blogs worldwide and garnered well over 25,000 downloads combined. This Time Next Year is the tandem’s first full length album and documents the struggles of dealing with external conflict while breaking into the music industry.

Your new album cover contains some symbols, can you explain what those are and what they mean to you?

Mental: I’ll let Jaxx take that one. He headed the cover art. …and I can’t speak Japanese lol.

Jaxx: The main symbol is the toki.  That’s kanji; the Japanese character for time.  I basically just wanted something different.  Every project I release, I want the artwork to be just as unique as the music.  I was looking for artwork ideas online and some add came up in Nihongo (Japanese) and I was like, yo, I know what I want.  I drew it out first, took a picture then sent it to Alex and the designer.

Where do you do all of your recording and why?

Jaxx: We do it all in Pittsburgh and Toronto.  If we don’t record together, I gotta regular studio I go to lay the vocals and then send em to Alex to mix and all that.

Mental: I do all my recording at my spot.  Jaxx does his recording and sends it all to me.  Once we have all our vocals, I do the mixing at my crib as well.

How do you think your earlier music compares with this release?

Mental: I think our songwriting and subject matter has improved.  Our subject matter has expanded.  We’re now able to talk about more than just hip hop.  I’ve always felt hip hop was best used as a tool to tell your life story or get out whatever you need to get out.  If you’re only talking about hip hop, the music becomes less personable to the listeners.

Jaxx: TTNY is something that’s more personal.  It’s a concept album, the first time either one of us have ever done something of its kind.  Like Alex said, our overall songwriting and subject matter expanded.  I dealt with personal relationships on this album: my ex fiance, old management, opinions people had about me, all of that.  Plus TTNY was way more concentrated.  It was only nine songs, so we put alot of substance in those songs whereas on Hello, Hip Hop and other shit, I had more ground to work with.

What is your favorite album of all time? (in general, not your own music lol)

Mental: lol, that’s really difficult.  But If I had to just pick one, it would be moment of truth by Gang Starr.  Reason being exactly what I mentioned before.  The realness and honesty on that album was above anything else.  R.I.P. To Guru.

Jaxx: I couldn’t possibly name one album.  That’s too daunting a task to ask.

What artist do you most admire?

Mental: As a group, De La Soul.  They’re the only hip hop group I can think of that put all the bull aside in order to keep the group alive.  They’ve been the most consistent and long lasting.

Jaxx: Admire is a strong word.  I really look up to Lupe Fiasco though, we have a similar set of ideals.  We’re both Muslims and dealing with a lot of stuff that exists in opposition to Islam, especially in the music business. The way he carries himself and portrays Islam in all of his songs and lifestyle, even in this business is admirable.  I don’t know him personally, but just the things he says in his interviews resonate with me on a personal level.

 

What inspires you to do hip hop?

Mental: The creativity.  When you create something that you, yourself didn’t even think you could do…there’s no other feeling like it.  Also, it gives me a voice and a platform to use it.  I’m a quiet dude, but I got a lot to say.

Jaxx: Life.  Hip Hop is my reflection and interpretation of what happens around me.  I mean there are so many components to that question.  I love listening to new music, because that fuels such a passion in me to create something new.  Hip hop has a place in my heart so any time something really emotional happens in my life, be it good or bad, it inspires me to write.  My inspiration comes from my determination to succeed.

Jaxx – will we ever see you battle rap again?

Yeh, haha.  I’m entering Grind Time actually.  Whether I’ll do Grind Time Mid West or King Of The Dot, I’m not sure, but I’m jumping back in it to set a few examples.

With the success of rappers like Wiz Khalifa, in what direction do you think hip hop is headed?

Jaxx: I think hip hop is headed in the direction the people take it.  Hip hop represents the attitude of the people.  I think its cool Wiz is out there doing his thing because he initated a grass roots fanbase.  Say what you want about him, his fan base is serious.  I just hope people don’t think with Wiz and Mac coming out of Pittsburgh that this city is all about party music and niggas smoking weed, cutting class, what ever.  For every Wiz and Mac you need an A-Jaxx and Jasiri X, you know what I mean?  And I think that’s how Good Company fits right in with the progression of hip hop.  Whereas people might say, “Oh, Jaxx can’t do a song with so and so, that doesn’t seem right” and they couldn’t be more wrong, but Good Company can do that.  Genres are being knocked down in rap every song by every new artist, so thats the new path I think.

Mental: I really like a lot of the new cats.  I like that hip hop is becoming more and more independent again.  Wiz is a good example of how you build up a fan base first.  You get that fan base and respect them, they’re going to hold you down. If you look at hip hop now, you can’t say that people aren’t trying to be creative.  It may sound like crap lol, but at least artists are trying.

Are you planning to do a music video?

Mental: Yip yip!  Most likely for “Time”.  Were discussing it at this very moment.

Jaxx: “Time” seems the best bet but we may do ones for, “On The Go Back” and or “Clear Conscience” as well.

What’s next for Good Company?

Mental: Hopefully we’ll be doing more shows and we’ll be releasing EP’s every couple months leading up to our next full length.

Jaxx: I just started up this human trafficking ring, it’s been pretty lucrative thus far.  So I wanna really continue to focus on that.  But on the music side…

We initially planned to do 4 EPs this year and one full length LP.  We’re gonna release at least 2 more four track EPs in 2011 and then really try to build something concrete and make power moves with business.  Definitely a lot of shows too, for sure, I’ll be rocking with Stalley at Pitt on April 1st.

Check out our review of This Time Next Year: CLICK HERE

follow @ayatollahjaxx @fundamental10

http://wearegoodcompany.bandcamp.com/

 




The Leak: “Midnight Switch” Ayatollah Jaxx

On January 18th, Good Company will release This Time Next Year, the follow up to their critically acclaimed debut The Damn Good EP.  “Midnight Switch” is the first leak off of the EP where Jaxx chronicles coping with the loss of two friends, women, friends getting record deals, and rappers taking shots at him with in the last year.

This Time Next Year” features Cashtro Crosby, L.E.G.A.C.Y of The Justus League, Dominique Larue and more.

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Midnight Switch | DOWNLOAD

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Battle Rap: Mortal Combat or Grave Mistake?

Next time, save that shit for the lyricists lounge/ or a house party, where you can battle some clown…- LL Cool J

The Cypher and the battle. The real proving grounds for MCs. This is where your mettle is made and you prove to yourself and every one within an ear shot you have what it takes to be unfuckwitable on the mic. MC Battles are where legends are made. LL Cool J vs. Jay Z, DMX vs. Jay Z, both freestyle battles that only those present articulated through out time which turned into larger than life stories. MC battles off wax at one point were arguably more important than the ones that occurred on wax. Though now with the over saturation of MCs, it would seem accurate that the Darwin theory of existence should be applied to the game where only the strong survive and the rest fall victim to their own inferior genetic make up. You couldn’t be more wrong. Therein lies my gripe with MC battles.

I used to live for MC battles. In fact that’s what I was known for long before I was public enemy number one by the lot of you. From the moment I started rapping (at around 13 years of age) I would battle any thing that moved. School dances, in school, at any house party, jam, mall any where I could find a challenger, I stepped up because that is what I thought it took to get recognized, respected, and ultimately signed. So that’s what I focused on. Battle raps, battle raps and more battle raps. By the time I was 20 I had battled in NYC (where I lived for 2 years), San Diego, Pittsburgh, Toronto, Youngstown and London, England.

Ask around, before Rhyme Cal emerged, I had already roasted quite a few of your favourite local MCs. Real Deal and I had what was considered one of the finest moments in Pittsburgh Hip Hop history in our battle at Pitt in 2006. Shortly after, back in Toronto I finally got my rep solidified by roasting one of the most prominent MCs in T Dot history in a soundclash in Scarborough right outside of Kennedy station. That’s when I realized something that became painfully tangible to me. I wasted my whole career as an MC focusing on the wrong shit. People were always asking me where is my material and I told them I’m working on it, but really all I had was a few hundred bars prepared for battle and a really ill freestyle game.

I didn’t become a polished studio artist until I was closing in on 22. That’s eight years I spent battling and writing rhymes solely for cypher presence. I wrote songs but they weren’t that hot because I was stuck in the battle MC mind state. What dawned on me was that every battle I’ve ever been in moreless was a re-enactment of those prior. Every single battler I’ve come across was saying the same exact things as those before and after. Smack DVD was at its height, 106 and Park’s Freestyle Fridays was still the illest thing to watch on a Friday evening and alas, it was all the same. FYI – two notable 106 and Park “losers” were Skyzoo and Immortal Technique. Go ahead and do the math on that.   Who even remembers every single champion from Freestyle Friday?  My point exactly.

A-Jaxx in Rhyme Cal 9

So why do I hate battle raps now? Plain and simple. It’s become eroded and stagnant. I’d much rather listen to mans soundclash on wax then in a cypher. Sure there are gems and diamonds in the rough such as Loaded Lux and Serius Jones, but where are they in the grand scheme of things? I still catch myself watching the occasional battle but it’s more to support people I know involved in King Of The Dot and Grind Time. I laugh here and there at punchlines and some really drop my jaw but I immediately check myself and think “can he make a song though”? Battling definitely isn’t going any where, but in the terms of general progression, it’s definitely not going anywhere. Armstead and I had talked about this subject numerous times. There is no revenue stream for battling rapping outside of a few cash prizes and entrances fees. Could you propose an actual battle rapper award show? Sure the events held gain attention but what happens after the battle? Do you put that in your iPod and jog to it? Is any one really saying “Man, that new Iron Solomon album really deserved 5 Mics”? Fuck no. I mean, have you actually heard your favourite battle rappers on wax? There’s a reason they do their shit acapella.

I thought about getting back into battling now that some more of my peers have stepped into it and I’ve been asked quite a few times to give it another go. For what? I’ve learned that anymore you have two types of battle rappers. The super street 100 thousand bar saying DVD style rappers who will sell metric tons of drugs and unload more munitions than WWII, Viet Nam and Desert Storm did combined in a verse, then you have the white washed nerdcore over enunciating joke telling Scribble Jam/ Grind Time battler rappers. What do they all have in common? None have achieved even an iota of the relative success their peers have.

Sam Scarfo, Jin, Shellz, Posta Boy, Jae Millz, Elliot Ness, Reign Man, Wreckonize; I mean the list goes on. All battle of them are rappers that signed to major deals then flopped harder than Precious on moon bounce. Labels realized how big of a joke battle rappers are and how big of a joke signing them is.  I mean, look at Millz, he went from the DVD favourite to rapping full verses in auto tune. Eminem wasn’t signed off of his battle rapping skills, his demo got him signed. He’s exempt – I know some one will bring that up. Canibus … lol we all see what happened to Canibus. You can argue he won the battle with LL, but he undeniably lost the war.

The battle used to be about props. The battle was to hip hop as golden gloves was to boxing. And now it’s the same thing. A lot of over hyped people with meaningless records and reputations fighting for some sense of superiority that few achieve only to be torn to shreds by the real professionals or fall victim to the politics of the rap game.


Ayatollah Jaxx – Hello, Hip Hop

Originally released March 9th 2010 – After 9 months and over 10,000 downloads later, the deluxe edition of the critically acclaimed album Hello, Hip Hop is available for the free along with two bonus tracks.

Hello, Hip Hop was featured on HipHopDX.com and received a 3.5 by the staff but a near perfect 4.5 user rating and was the highest rated album of the month.

The international ballad “Ms. 416″ produced by Fundamental marked the Good Company (Ayatollah Jaxx & Fundamental) pair’s break through single spanning across boarders, blog sites and playlists across the globe and helped push Hello, Hip Hop across the internet. The follow up “I Will Not Lose” featuring Common Wealth Family’s Roscoe Wiki became a Pittsburgh favourite, helping fuel plenty talk about the album.

The delux edition of Hello, Hip Hop features all 3 versions of the covers (front and back) 22 songs, the promotional fliers and artwork for the album.

Hello, Hip Hop | DOWNLOAD

follow @ayatollahjaxx


New Music from Ayatollah Jaxx “What are We Gonna Do”

“What Are We Gonna Do” produced by J. Fish of The Sole Vibe was the first song recorded and originally planned to be the single for Hello, Hip Hop but ended up as Live Free used for Mac Miller’s High Life mixtape. This was the first song that Jaxx did vocal work on the hook.

“What Are We Gonna Do” will be featured on the re-release of Hello, Hip Hop which will be available for free download on Thursday.

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What Are We Gonna Do | DOWNLOAD


[VIDEO] ANTUKS Movement presents Cypher Five “Set It Off” feat. A Jaxx, Kid A, Image

ANTUKS Movement presents Cypher Five “Set It Off” feat. A Jaxx, Kid A, Image


@Jordanbeckham
@antuksmovement

www.antuks.com


Behind The Mic: Black Sun Pt. 2

Part II of the Black Sun interview, Sun builds on the importance of The Shadow Lounge, what it will take to break Pittsburgh as a national talent pool and the Pittsburgh sports programmes.

Check out Black Sun on RhymeCal.com

A-Jaxx: Looking across the history of the Pgh scene, are you pleased with its current status?

Black Sun: I’m really excited about the current state of PGH hip hop right now because it has the potential to be a really big deal on a global scale. Wiz is sort of like the flagship artist for the Pittsburgh scene and to see how well he’s been received all around the world is encouraging. New doors are opening and new opportunities are unfolding everyday. In 10 years I see Pittsburgh’s impact on hip hop to be just as big, if not bigger than the imprint we left on the jazz scene in it’s heyday. And that’s something I wouldn’t have said five years ago.

AJ: How is the hip hop scene here different then when you first came on to the scene?

Black Sun: The biggest difference to me is the Shadow Lounge (@shadowloungeava). There was no Shadow Lounge when I first started and now its a major staple in Pittsburgh’s hip hop scene. Anybody who’s anybody in this city has been to or performed at the Lounge more than once. Shit, I met you there! Lol. There’s an energy about that place that I can’t really describe. Pittsburgh has a very diverse musical scene and what makes the Shadow Lounge special is they welcome all that diversity. A lot of my personal growth as an artist took place on that stage ad I know I’m not the only artist in the city that can say that. Big ups to Jay Strong for seeing the vision 10 years ago and s ticking to it. I wouldn’t be doing this now if not for the Shadow Lounge.

AJ: In your opinion, what will it take for PGH to be recognized as a talent pool and not a cess pool?

Black Sun: I think all it would take is a united front. If Pittsburgh rides for its artists and its scene with the same intensity and passion they ride for the Steelers and the Penguins, we’d be a force to be reckoned with immediately.

AJ: Top 5 records of all time – top 5 current records.

Black Sun: All time in no specific order: Wu Tang Forever, Illmatic, Things Fall Apart, Ready To Die, ATLiens.

Currently? How I Got Over, Revolutions Per Minute, OBFCL2, Teflon Don, Kimbo Price. These records are subject to change tomorrow for no reason whatsoever.

AJ: Your Donuts release is widely considered a local classic. Whats your take on that?

Black Sun: I’m just glad I didn’t fuck it up. It was already a classic album with out my contribution so for people to enjoy my version makes me glad I decided to put it together in the first place. What surprised me was the number of people who heard it and had no idea who J.Dilla was. I actually introduced a couple people to Dilla in my own little way so that was really cool. It was a fun project to put together and I learned a lot about myself in the process.

AJ: I ask this question to everyone, if you had to battle one person, who would it be? Do you think You would win?

Black Sun: Right now I’d love to battle Solar on stage in front of the entire world and destroy him. If you know who Solar is, you know why. If you don’t know who Solar is, good for you. I’d battle Solar and he wouldn’t be allowed to touch the mic during the battle. He’d just have to it there and get slaughtered lyrically in front of the world. Fuck Solar!

AJ: In one of your tunes, you talk about rappers dropping the ball like Leon Lett. What are your hopes for the Steelers this season? You think Dennis Dixon will manage until Ben’s return?

Black Sun: Well, I’m one of those diehard Steelers fans who believes we’re going to win the Super Bowl every year. This year is no different. Dixon gave the city some nasty flashbacks by switching to #10, but I think he’s going to play well in Ben’s absence. He’s been here long enough to know what’s expect of him and I think he’s going to deliver. I’m just glad I don’t have to deal with the Madden curse this year. Steelers should be forbidden from Madden covers from now on lol.

AJ: What would you rather see, the Pirates return to their glory and restore the City of Champion title or a pro basketball franchise here?

Black Sun: I’d rather see the Pirates be a playoff team again. It sucks that they have such a beautiful ballpark and such an ugly team playing in it. I can’t see Pittsburgh supporting a pro hockey and pro basketball team here unless we got the Miami Heat roster. There’s the Pitt hoop squad to satisfy the Basketball Jones in the city. Or The Fish That Saved Pittsburgh lol!

I would like to close with this.  I definitely underrated Black Sun.  My location to Pittsburgh from Toronto and my current residence and age were reasons I never really knew the cat.  With that being said, I went and did my knowledge.  Sun is one of the few cats in the city I recently became a fan of.  Respect the real, do the knowledge on history and learn the pathways to the future.

Holla at Black Sun on twitter @TheSunIsBlack



The Leak: “Clear Conscience” Good Company

Fundamental and Ayatollah Jaxx are Good Company. Back with their first official release since “Ms. 416″ off of Ayatollah Jaxx’ Hello, Hip Hop, the Toronto Team offer an insightful, emotional and in your face alleviation of troubles past on “Clear Conscience”, off of DJ Soundbwoy’s The Hiding Place mixtape.

Clear Conscience | DOWNLOAD


Contact Good Company on twitter @AyatollahJaxx & @Fundamental10

The Impact Women Have On Hip Hop

I love women.  I think every one has an idea of the extent that I obsess over women.  Women give me so much of the power I hold, because of the attention they pay to me, but I’ll let y’all in on a little secret: it works both ways.  I pay an immense amount of attention to females.  I know women, it’s a gift.  However, it’s been brought to my attention that some people think that I don’t think highly of women.  That couldn’t be further from the truth.  Mostly all of my closest friends are female; I actually respect women way more than I do men.  Which is weird because I don’t hold any expectations from people whatsoever.  So when some one asked me who was my female role model was, I had to pause for a few moments, then I drew a blank, then I arrived at the answer shortly after.

My mother wasn’t really around a lot when I was yute, because she was battling a drug addiction so it was pretty much just my pops manning the ship.  Which really left me to experience everything with and about women for myself.  Lots of trial and error.  More error of late as I’m 0-3 in serious relationships.  But from as far as I remember, I loved hearing the female perspective in music, be it from Paula Abdul and Whitney Houston to MC Lyte, Yo-Yo, TLC and of course Queen Latifah.  So to address the inquiry which sparked this piece, I guess Queen Latifah would be the closest thing to a dominant female role model to me.

The female perspective in hip hop is something I love so much.  It’s a shame they are too overshadowed and forgot about.  Female MCs are just doper because they are always the underdog, no matter what.  And the ones who bust out, the Foxy Browns, the Lil Kims the Nicki Minajs are dope but people tend to forget the MC Lytes, the Jean Graes, the Lauryn Hills.  Well, none come close to L Boogie.

I remember always loving the image of a strong black woman from a kid.  Maxine on Living Single was so sexy to me.  She had tings pon lock, even though Kyle was her kryptonite.  But Queen La, man she just embodied everything dope to me.  I remember being like, really intimidated but not in a “oh, she’s gonna whoop my ass” type of way, but in a really respectful way.  She had power, ill charisma, I always thought she was pretty and of course her rhymes were just top notch.

I love the sisters.  That’s no joke.  I love women.  Women in hip hop are just that much more attractive.  The early Mary J. Blige shit, Janet Jackson, SWV, 702, Missy Elliots records, Aaliyah, TLC had a HUGE impact on me, Erykah Badu, maaaaan, I could go on and on, but that point of view is so crucial to the extension and preservation of hip hop.  Some of the best records of all time were wrote about women.  Niggas was really going through some shit to make them write those records.  “I Used to Love Her“, “Brenda’s Got A Baby“, “Dear Momma“, “Around The Way Girl“, “Black Coffee”, classics.  Mans like, Heavy D, LL Cool J, Teddy Riley, Al. B Sure!,  they knew the importance of that.  Shit, that’s why I fuck with Drake so much, pause.  He understands that women consume most of hip hop any way, so why not give em what they want.

The attention I paid to women from an early age formulated the thesis I have now.  It’s also why I wanted to be an R&B singer from the jump and why I’m singing on my records a lot more now.  Now, in 2010, I look at female rappers and I hope for a lot, but I get disappointed, although there are flashes of brilliance all through out hip hop coming from women.  One in particular?  Dominique Larue.  I have the hugest hip hop crush on that sister.  Her and I are friends, yes, but I have been a fan since she hit us [Good Company] up in 2008.  D. Larue is my modern day female role model, as she should be for so many others.

Bottom line, y’all need to stop fronting like women aint why you love hip hop.  That’s real rap. Pay homage where it’s due, because with out women, we wouldn’t be here.  Seen.

SNN Presents “IIE”



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Check out our interview with Straight-N-Narrow Records, from Philly to Steel City’s Producer of producers, Premise.

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